He arranged the original “James Bond Theme,” giving it a dynamic, dangerous sound, and went on to score 11 of the films, including such Sean Connery gems as “Goldfinger” and “Thunderball,” Roger Moore’s “Octopussy” and “A View to a Kill,” Timothy Dalton’s “The Living Daylights” and, of course, Lazenby’s sole outing in “OHMSS.” John Barry, who died in 2011, is considered the architect of Bond’s musical style. Later in the credits, the Eilish song does return, but in a version with the pop star humming the tune instead of singing it. And as the film goes into the end credits, instead of a reprise of the Billie Eilish title song - which, with its theme of love and betrayal, fits nicely with the opening titles but might not be the right mood for exit music - we get the classic Armstrong vocal. Insiders say the use of “We Have All the Time in the World” in the new film was decided early on as a callback to Bond from an earlier era. There’s yet another callback to the 1969 film in Zimmer’s score, beyond the repeated use of “We Have All the Time in the World.” Bond aficionados will recognize that Zimmer has also added a reference to Barry’s all-instrumental title theme from “On Her Majesty’s Secret Service,” a march signifying 007’s association with the Secret Service, during a scene in which Bond converses with M (Ralph Fiennes) about the danger posed by a lethal DNA-based weapon. In “On Her Majesty’s Secret Service,” it is the final line of dialogue, said by 007 (George Lazenby) moments after Blofeld murders Tracy (Diana Rigg), the British agent’s new wife, as they set off on their honeymoon. It’s startling enough to hear Craig utter that line, as it sets off alarm bells in the mind of any dyed-in-the-wool Bond buff. It returns in another, moving scene, near the end of the film - and the full, original Armstrong vocal then plays under the film’s end credits. Now, that memorable music from 52 years ago has been interpolated into the latest 007 epic no fewer than three times. The melody is heard in Hans Zimmer’s “No Time to Die” underscore right after Craig says the line in the pre-credits sequence. #A world for two song movie#But to Bond fans worldwide, it’s one of the most important in the history of the franchise, and a subtle hint of possible tragedy to come.įor “We have all the time in the world” is not just the key line in the screenplay of 1969’s “On Her Majesty’s Secret Service,” it’s the title of the song performed in the mid-section of that movie by jazz great Louis Armstrong, derived from British composer John Barry’s love theme for the film. When James Bond (Daniel Craig) says that line to Madeleine Swann (Léa Seydoux) nine minutes into “ No Time to Die,” it may not mean much to the average moviegoer.
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